Few thinkers have left such an influence across such a diverse range of studies as Michel Foucault has. This book pays homage to that diversity by presenting a multidisciplinary series of analyses dedicated to the question of power today.

Movement perception and its role in aesthetic experience have been often studied, within empirical aesthetics, in relation to the human body. No such specificity has been defined in neuroimaging studies with respect to contents lacking a human form. The aim of this work was to explore, through functional magnetic imaging (fMRI), how perceived movement is processed during the aesthetic judgment of paintings using two types of content: human subjects and scenes of nature. Participants, untutored in the arts, were shown the (...) stimuli and asked to make aesthetic judgments. Additionally, they were instructed to observe the paintings and to rate their perceived movement in separate blocks. Observation highlighted spontaneous processes associated with aesthetic experience, whereas movement judgment outlined activations specifically related to movement processing. The ratings recorded during aesthetic judgment revealed that nature scenes received higher scored than human content paintings. The imaging data showed similar activation, relative to baseline, for all stimuli in the three tasks, including activation of occipito-temporal areas, posterior parietal and premotor cortices. Contrast analyses within aesthetic judgment task showed that human content activated, relative to nature, precuneus, fusiform gyrus and posterior temporal areas, whose activation was prominent for dynamic human paintings. In contrast, nature scenes activated, relative to human stimuli, occipital and posterior parietal cortex/precuneus, involved in visuospatial exploration and pragmatic coding of movement, as well as central insula. Static nature paintings further activated, relative to dynamic nature stimuli, central and posterior insula. Besides insular activation, which was specific for aesthetic judgment, we found a large overlap in the activation pattern characterizing each stimulus dimension (content and dynamism) across observation, aesthetic judgment and movement judgment tasks. These findings support the idea that the aesthetic evaluation of artworks depicting both human subjects and nature scenes involves a motor component, and that the associated neural processes occur quite spontaneously in the viewer. Furthermore, considering the functional roles of posterior and central insula, we suggest that nature paintings may evoke aesthetic processes requiring an additional proprioceptive and sensori-motor component implemented by “motor accessibility” to the represented scenario, which is needed to judge the aesthetic value of the observed painting. (shrink)

Résumé Les ancêtres de la téléréalité, comme l’émission américaine Candid Camera, ont su très tôt mobiliser un charisme de la réalité qui magnétise aujourd’hui un nombre croissant de nos contemporains. Ces pratiques télévisuelles se sont développées en étroite interaction avec les expérimentations faites sur la psychologie sociale et l’hypnose, révélant une convergence entre sciences, technologies médiatiques et mécanismes de pouvoir que cet article s’efforce de faire apparaître dans ses dimensions à la fois historique et théorique.

The extraordinary overall textual situation of Parmenides’ B1,1-3, due to complex, variegate and polymorphous causes, entailed and still entails diverse sorts of problematic issues so to constitute a true labyrinth of philological, hermeneutical and theoretical instances interwoven each other in almost inextricable way. In this analysis, a first substantial knot of philological type resulted necessary to a preliminary discrimination for making sure the textual reconstruction in order to argue then its most literarily clear and specifiable meaning. In this way it (...) was also possible to make sure its semantic and theoretical relevancies. This research leaded to outline and, hopefully, to demonstrate no textual corruption and following misunderstanding happened before sec. XIII, namely corresponding to the lecture present in the first available manuscript, the so-called cod. N, universally excluded and entirely misevaluated, even discarded; instead it is not only the principle, but the unique reliable codex. The detailed analyse including the autoptic exam is the result of enlightening the absolute goodness of this version and the reasons both philological and hermeneutical comparations, which allow to achieve its complete textual rehabilitation and so to grasp its real conceptual content. (shrink)

Gli studi qui raccolti mostrano dunque come il riutilizzo di materiale musicale preesistente all’interno di una nuova composizione, a volte frettolosamente condannato come un plagio, produca risultati creativi, realizzandosi in moltissime forme nate dalle più varie radici: si può parlare così di una comunanza di visione tra compositori diversi, o dell’appartenenza (consapevole o inconsapevole) di un certo autore alla propria tradizione, oppure del suo cosciente far riferimento a una tradizione specifica, magari appunto con l’intenzione di trasfigurarla, o ancora dell’applicazione di (...) un metodo creativo consistente nella realizzazione di immagini delle musiche del passato... e questo elenco potrebbe continuare ulteriormente. In generale, ciò che emerge da questi contributi è insomma che ci sono moltissimi casi e contesti in cui «rubare» la musica non è (o non dovrebbe essere considerato) certamente un furto: questo succede quando, come accade molto spesso, «rubare» la musica è non soltanto l’involontaria assimilazione dell’apporto creativo di un altro artista o il modo per veicolare culture o tradizioni musicali che altrimenti potrebbero cadere nell’oblio, ma anche un autentico contributo alla trasmissione creativa del sapere musicale e a nuove ulteriori creazioni. (shrink)

The article examines some lesser known contributions of Maritain’s thought to Vatican II and to the post-conciliar debate: namely, a focus on philosophical wisdom, the question of truth, the relation between faith and reason, and the realism of human knowledge. Particularly relevant in these themes are Maritain’s reflections contained in a memorandum written to Paul VI, in The Peasant of the Garonne, and in Paul VI’s “Credo of the People of God”, of which one can discern the development and structure (...) proposed by the French philosopher. (shrink)

[1] Dalle origini all'Ottocento. 3 t., a cura di V. Mathieu.--[2] Il pensiero contemporaneo. 3 t., a cura di A. Bausola.

La trattatistica della ragion di Stato ha contribuito a superare il modello ideale dello stato platonico, il modello naturalistico aristotelico, il modello del diritto naturale teologico della« respublica christiana ». Insieme al machiavellismo ha conquistato la moderna distinzione tra politica e morale, ha prodotto una realistica pedagogia dell’arte di governare. Costituisce un contributo essenziale all’elaborazione del mito dello Stato moderno, con i suoi caratteri di universalità realmente operante nel disciplinamento sociale e individuale, ma anche con i limiti e le contraddizioni (...) che neppure la forma del mito riesce a nascondere: crisi e guerra (civile e tra le nazioni). (shrink)